mUltimate Chopin

Op. 25 No 10, Etude in B minor

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b. 59

composition: Op. 25 No 10, Etude in B minor

No sign in GC (→GE1), FE & GE3

 in EE

 in GE2
..

The  sign added in GE2 is a result of comparison with the analogous bar 79. In turn, the sign in EE may be authentic, although also in this case a revision cannot be excluded. GE3 reintroduced the notation of the base text (if the lack of hairpins is not a print defect, resulting from the tear and wear of plates).

category imprint: Differences between sources

issues: GE revisions

b. 60

composition: Op. 25 No 10, Etude in B minor

Quaver b in GC (→GE) & EE1

Crotchet d1 in FE & EE2

Crotchet & quaver in EE3
..

The extension of d1 in the 5th octave and deletion of b in the 6th quaver are the last of the changes, introduced probably in the proofreading of FE, separating an additional melodic line within the octaves. EE2 adopted the changes, yet EE3 – most probably under the influence of GE – reintroduced the b note. Similarly in bar 80.

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections of FE

b. 60

composition: Op. 25 No 10, Etude in B minor

..

In GC (→GE), EE1 and EE3 the last quaver is a b-b1 octave.

category imprint: Differences between sources

b. 65

composition: Op. 25 No 10, Etude in B minor

rit. in GC (→GE) & EE3

No indication in FE & EE1 (→EE2)
..

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections in GC

b. 66

composition: Op. 25 No 10, Etude in B minor

 (error) in GC (→GE1)

 in FE & EE

 in GE2 (→GE3)
..

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions , Rhythmic errors , Errors of GC