Pitch
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b. 12
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composition: Op. 25 No 9, Etude in G♭ major
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In the main text we add a cautionary before e. The sign was added already in GE1 and repeated in EE3. In GE2 (→GE3) a was added also before g. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 33
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composition: Op. 25 No 9, Etude in G♭ major category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 34
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composition: Op. 25 No 9, Etude in G♭ major
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Finding out which of the two source versions is later does not seem to be possible due to the doubts concerning their authenticity. The triad in GC is written with the copyist's hand, therefore, the version was probably in [A]. A possible copyist's error seems to be highly unlikely here, unless the autograph included a kind of deletions (another possibility is the erroneous introduction of the chord on the 4th quaver in the bar). In turn, the omission of the middle note of the chord, written on the ledger line, is quite a frequent mistake, as in Chopin's autographs, the note heads have a tendency to merge with both the chord's stem and ledger line (cf., e.g., the Etude in G major, Op. 10 No. 5, bar 15). However, if we are to exclude possible mistakes, the version considered to be later should have been the one with the sixth. Therefore, in the main text, we suggest a variant solution. category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
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b. 34
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composition: Op. 25 No 9, Etude in G♭ major
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Lack of the naturals raising C-c to C-c is almost certainly Chopin's mistake, despite the fact that this kind of oversights of signs introducing alterations are not frequent (yet they are to be found in, e.g., the Etude in F minor, No. 2, bar 56). It could have seemed that the C-c octave did not require naturals due to the following reasons:
category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , Last key signature sign , Errors of GC |
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b. 37-38
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composition: Op. 25 No 9, Etude in G♭ major
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In GC, the version beginning from G1 was written by Chopin instead of the original version of FE, beginning from the sixth. This undeniable improvement was also introduced in the base text to EE1, in which, however, it was reproduced inaccurately – both B1 at the beginning of the bar and the lack of tie sustaining d are most probably mistakes. In turn, EE1 includes a dot extending the des crotchet, overlooked in GC. This inaccuracy of the notation of GC was corrected only in GE3, which, thanks to this, is the only source in which the final version is written flawlessly. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Inaccuracies in GE , Errors in EE , Terzverschreibung error , GE revisions , Accompaniment changes , Authentic corrections in GC |
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