Issues : GE revisions
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b. 27
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composition: Op. 25 No 8, Etude in D♭ major
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Same as in bars 19-20, in A there is no asterisk. In this kind of context, indicating the clear place of the pedal's release poses certain problems, as obtaining the correct sound effect requires a gradual pedal's release. In the main text we suggest the signs given in FE and EE in a variant form, as being probably authentic. category imprint: Differences between sources issues: GE revisions , No pedal release mark |
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b. 32-34
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composition: Op. 25 No 8, Etude in D♭ major
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The notation of the three-bar chromatic progression does not contain errors in the sources, yet some of the cautionary signs seem to be unnecessary. In the main text we leave only the naturals before d and e in the last triplet of each bar, as these are notes before which one can expect signs in the D major key (in A and FE Chopin omitted only the last of them, before e3 in bar 34, completed in GE1). In A (→GE1) and FE Chopin also added flats before a2 and b2 in bar 33 and a3 and b3 in bar 34. In EE, particularly in GE2 (→GE3), a few bars were added in each bar. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Last key signature sign |
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