GE1
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
compare
  b. 32-34

The notation of the three-bar chromatic progression does not contain errors in the sources, yet some of the cautionary signs seem to be unnecessary. In the main text we leave only the naturals before and in the last triplet of each bar, as these are notes before which one can expect signs in the D major key (in A and FE Chopin omitted only the last of them, before e3 in bar 34, completed in GE1). In A (→GE1) and FE Chopin also added flats before a2 and b2 in bar 33 and a3 and b3 in bar 34. In EE, particularly in GE2 (→GE3), a few bars were added in each bar.
In Chopin notation it is the orthography of the 6th sixth in each of these bars that draws attention – Chopin consistently writes a-f instead of b-g, which are proper of the D major key. 

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions, Cautionary accidentals, Last key signature sign

notation: Pitch

Go to the music

.