Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 8, Etude in D♭ major
The notation of the three-bar chromatic progression does not contain errors in the sources, yet some of the cautionary signs seem to be unnecessary. In the main text we leave only the naturals before d and e in the last triplet of each bar, as these are notes before which one can expect signs in the D
major key (in A and FE Chopin omitted only the last of them, before e3 in bar 34, completed in GE1). In A (→GE1) and FE Chopin also added flats before a2 and b2 in bar 33 and a3 and b3 in bar 34. In EE, particularly in GE2 (→GE3), a few bars were added in each bar.
In Chopin notation it is the orthography of the 6th sixth in each of these bars that draws attention – Chopin consistently writes a
-f instead of b-g, which are proper of the D major key.
Compare the passage in the sources »
category imprint: Differences between sources; Editorial revisions
issues: EE revisions, GE revisions, Cautionary accidentals, Last key signature sign
notation: Pitch
