



Pitch
b. 19
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composition: Op. 25 No 8, Etude in D♭ major
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In A, FE and EE1 there are no cautionary flats on the 3rd quaver in the bar. The sign in the R.H. was added in GE1 and EE2 (→EE3), in the L.H. – in GE2 (→GE3). In the main text we consider both. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 23
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composition: Op. 25 No 8, Etude in D♭ major
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In A there are no accidentals in the last triplet in the L.H., which formally gives a d
category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Cautionary accidentals |
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b. 23
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composition: Op. 25 No 8, Etude in D♭ major
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All sources include a category imprint: Editorial revisions |
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b. 25-26
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composition: Op. 25 No 8, Etude in D♭ major
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Chopin doubled the bass progression in the bottom octave in the proofreading of FE (cf. bar 19, in which Chopin also reinforced the bass note, adding an octave). The change, which is certainly to be considered to be final, was also introduced – in the form of added quavers under notes – in EE2 (→EE3). category imprint: Differences between sources issues: Accompaniment changes , Authentic corrections of FE , Bass register changes |
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b. 26
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composition: Op. 25 No 8, Etude in D♭ major
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In EE1 there is no category imprint: Differences between sources issues: EE revisions , Cautionary accidentals , EE inaccuracies |