Pitch
b. 3
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composition: Op. 25 No 8, Etude in D♭ major
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The authenticity of the version with c3 is undeniable – Chopin fingered it twice and heard it then during the lessons. However, it cannot be said of the version with c3 – the copyist or reviser of EE could have added a , considering the failure to preserve the rule of parallel movement of the voices to be a sign of mistake. However, it does not mean that it was like that – it could have also been Chopin that introduced this variation. category imprint: Differences between sources issues: EE revisions |
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b. 3
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composition: Op. 25 No 8, Etude in D♭ major
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In A (→GE) and FE there is a superfluous (cautionary?) before d2. The absence of the sign in EE may be result of a revision. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals |
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b. 3
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composition: Op. 25 No 8, Etude in D♭ major
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In the main text we add a cautionary before e3; the addition was already introduced in GE and repeated in EE3. In GE2 (→GE3) a poorly justified cautionary was added also before d3 (as well as an erroneous before the bottom note of the 10th sixth). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 6
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composition: Op. 25 No 8, Etude in D♭ major
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FE features e2 as the top note of the sixth beginning the 2nd half of the bar. This patent error was corrected in both pupils' copies, including annotations in this Etude – FED and FES. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , Annotations in FES |
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b. 7
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composition: Op. 25 No 8, Etude in D♭ major category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions |