Issues : GE revisions
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b. 1
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composition: Op. 25 No 7, Etude in C♯ minor
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In the main text we give the title and dedication after the title page of the entire opus in GC and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
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b. 1
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composition: Op. 25 No 7, Etude in C♯ minor
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In GC (→GE1) and EE there is no category imprint: Interpretations within context; Differences between sources issues: Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Authentic corrections of FE |
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b. 1
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composition: Op. 25 No 7, Etude in C♯ minor category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 3
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composition: Op. 25 No 7, Etude in C♯ minor
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category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 9-10
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composition: Op. 25 No 7, Etude in C♯ minor
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Both the absence of the slur in GC (→GE1) and the one-bar slur of FE have to be considered as an inaccuracy of notation. In turn, the slur of EE is most probably authentic and we adopt it as the base of the main text. However, we shift its beginning in such a way that it included also the grace note, as it can be seen in analogous situations in GC (bars 1 and 45) and FE (bar 45). It cannot be excluded that the copyist confused the staves and wrote the slur of the L.H., running from the beginning of the bar, over the R.H. A two-bar slur was added also in GE2 (→GE3), together with a conventional slur of the grace note. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , Errors of GC |
major, 
returning f
at the beginning of the 2nd group of semiquavers of the introduction, which almost certainly corresponds to the notation of [A]. It is a very typical mistake of Chopin – cf., e.g., the Nocturne in C
before b. A similar addition was already added in 
