Issues : Errors in EE
b. 1
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composition: Op. 25 No 7, Etude in C♯ minor
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In GC (→GE1) and EE there is no returning f at the beginning of the 2nd group of semiquavers of the introduction, which almost certainly corresponds to the notation of [A]. It is a very typical mistake of Chopin – cf., e.g., the Nocturne in Cminor, Op. 27 No. 1, bar 83, or the Impromptu in A major, Op. 29, bar 71. The sign was added in the proofreading of FE, most probably by Chopin, as well as in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Authentic corrections of FE |
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b. 52
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composition: Op. 25 No 7, Etude in C♯ minor
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The missing hairpins in EE1 (→EE2) is almost certainly an inaccuracy of notation – it was either Chopin that forgot to add them in the base text or the engraver who overlooked them. category imprint: issues: EE revisions , Errors in EE |
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b. 57-58
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composition: Op. 25 No 7, Etude in C♯ minor
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There are no grounds to consider the fingering of EE2 (→EE3) – otherwise very natural – to be authentic. The fifth finger on f in bar 58 is undoubtedly a mistake (it was meant to be the fourth). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |