Issues : GE revisions
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b. 39
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composition: Op. 25 No 7, Etude in C♯ minor
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In GC, FE and EE1 (→EE2) there is no lowering c1 to c1, whereas in FE there is also no sign before c in the L.H. The necessary signs were added in FES, GE and EE3. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Annotations in FES |
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b. 44
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composition: Op. 25 No 7, Etude in C♯ minor category imprint: Differences between sources issues: GE revisions |
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b. 45
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composition: Op. 25 No 7, Etude in C♯ minor
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The fingering numerals, in GC (→GE1) misplaced under the grace notes, were arbitrarily changed in GE2 (→GE3) to the staccato wedges. category imprint: Differences between sources issues: GE revisions , Errors of GC |
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b. 45-47
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composition: Op. 25 No 7, Etude in C♯ minor
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The hairpins were added by Chopin in GC and most probably in the base text to EE. In the main text we reproduce the range of the sign in GC, the versions of the remaining sources are probably (EE) or certainly (GE) inaccurate. category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins , GE revisions , Authentic corrections in GC |
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b. 52
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composition: Op. 25 No 7, Etude in C♯ minor
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Taking into account the highly predictable structure of the chromatic scale, we do not include cautionary accidentals in it. FE includes a before F, while GC (→GE1) also before f. Each of these versions of notation can be authentic. In turn, seven cautionary signs in EE (F, A, B, c, f, a, c1) and nine in GE2 (→GE3) – featuring also e and b – are certainly a result of editorial interventions. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , FE revisions |
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