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Issues : EE revisions
b. 19
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composition: Op. 25 No 7, Etude in C♯ minor
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The absence of category imprint: Differences between sources issues: EE revisions |
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b. 21
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composition: Op. 25 No 7, Etude in C♯ minor
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category imprint: Differences between sources issues: EE revisions |
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b. 22
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composition: Op. 25 No 7, Etude in C♯ minor
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In the main text we give the fingering written with Chopin's hand in FED. The digits added in FES undoubtedly define the same fingering. The fingering of EE2 (→EE3), in the initial phase different from the Chopin one, although equally justified from the pianistic point of view, is certainly non-authentic. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FES |
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b. 24
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composition: Op. 25 No 7, Etude in C♯ minor
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The first two numerals written in FED are compatible with the entry in FES, which allows for considering the '5' visible in the second copy as an addition to the fingering of FED. In this version we give this fingering – analogous with the Chopin fingering in bar 22 – in the main text. As far as the continuation of the fingering of FES is concerned, the numerals concerning g category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FES |
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b. 24
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composition: Op. 25 No 7, Etude in C♯ minor
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In FED, playing the g category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FES |