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Verbal indications

b. 1

composition: Op. 25 No 6, Etude in G♯ minor

Title & dedication in FC

Title & dedication in GE1

Title & dedication in GE2 (→GE3)

Title & dedication in FE

Title & dedication in EE1 & EE3

Title in EE2

Our suggestion

..

In the main text we give the title and dedication after the title page of the entire opus in FC and FE.
See the Etude in A major, No. 1.

category imprint: Differences between sources

issues: EE revisions , Dedications , GE revisions

b. 31

composition: Op. 25 No 6, Etude in G♯ minor

No marking in FC (→GE) & EE

in FE

..

It is highly likely that Chopin added  at the time of proofreading FE (or introducing last corrections to the base text, probably [A]). All changes, certainly or highly likely introduced into FE at the transition between bars 30-31 – rhythmic notation of the last quaver in bar 30, omission of the tie of b1 and pedalling and  in bar 31 – may be considered as related.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 47

composition: Op. 25 No 6, Etude in G♯ minor

in FC (→GE)

in FE & EE

Our variant suggestion

..

According to us, the authenticity of  does not raise any doubts. In turn,  in FC (→GE) may be a result of an inaccurate interpretation of [A] by the copyist – the 'f' and 'z' letters from some of Chopin  merge in such a way that they can be considered as one 'f' letter, i.e.  (see the Etude in E major, Op. 10 No. 11, bar 25 or 50).

category imprint: Differences between sources

issues: fz – f

b. 53

composition: Op. 25 No 6, Etude in G♯ minor

No marking in FC (→GE)

in FE & EE

..

The missing  in FC (→GE) may be explained with an oversight of the copyist or inadvertence of Chopin, if he added this indication in the already finished Stichvorlage manuscripts.

category imprint: Differences between sources

issues: Errors of FC

b. 61

composition: Op. 25 No 6, Etude in G♯ minor

 in FC (→GE) & EE

sotto voce in FE

..

The sotto voce indication, present in FE, is the original version. In FC (→GE), Chopin deleted it and introduced . He introduced a similar correction most probably also in the base text to EE.

category imprint: Differences between sources

issues: Authentic corrections of FC