Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Compositions
0
Op. 25 No 5, Etude in E minor
Sources
- Fontana's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected reprint of GE1
- Flawed impression of GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
GE1 - First German edition
| Publisher: | Breitkopf & Härtel |
| Date: | X 1837 |
| Title: | Douze Etudes || 5me Etude |
| Dedication: | Madame la Comtesse d'Agoult |
GE1 is based on FC and it generally carefully reproduces the text of the base text, including some of the mistakes and inaccuracies, e.g., in bars 36 and 86 – see the characteristics of FC. The differences can be generally explained with a mistake, inaccuracy or manner of the engraver, e.g.:
- an erroneous value (148) in the metronome tempo indication at the beginning of the Etude;
- erroneous note in bar 14 – c3 instead of b2;
- extended dynamic hairpins in bars 25-26;
- simplified notation in the L.H. in bar 35
- missing slur in bar 70.
Editorial revisions certainly include:
- addition of cautionary accidentals in bars 3, 8, 11 and analog.;
- addition of rests in the L.H. in bars 49-57 and analog., in bars 86-87 a mistake was committed, by adding two rests after the minims;
- extension of the range of cresc. in bars 70-72;
-
addition of necessary accidentals, e.g., a
raising b to b
in bar 92; - omission of the slur in the L.H. in bar 123.
| Original in: | Biblioteka Uniwersytetu Mikołaja Kopernika, Toruń |
| Shelf-mark: | IV 120/1 |