Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 5, Etude in E minor
The version of EE2 (→EE3), in which the 1st triplet of the R.H. is written one octave higher than in the remaining sources is certainly an arbitrary revision. Its aim was certainly to avoid the leap between the 1st and 2nd triplet of the R.H., which can be considered to be pianistically justified, yet not as far as the sound is concerned.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions
notation: Pitch