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b. 33

composition: Op. 25 No 4, Etude in A minor

..

In A (→FC,FE) there is no  lowering e to e. This patent inaccuracy was corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 33-35

composition: Op. 25 No 4, Etude in A minor

..

GE2 (→GE3) added cautionary naturals before b2 in bar 33, e2 in bar 34 and e1 in bar 35. We give the last two – as justified, according to us – in the main text.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 37

composition: Op. 25 No 4, Etude in A minor

g-c1 in A (→FC,FE), EE & GE2 (→GE3)

Only c1 in GE1

..

The missing note on the 2nd quaver is certainly an oversight of the engraver of GE1. The error was corrected in GE2 (→GE3).

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 46

composition: Op. 25 No 4, Etude in A minor

..

In all sources, except for GE and EE2 (→EE3), there is no  returning g1 in the 3rd chord in the R.H. It is a characteristic for Chopin, patent inaccuracy (in analogous bar 8 Chopin wrote a relevant sign in A). In GE was added also before g2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A

b. 49

composition: Op. 25 No 4, Etude in A minor

e2-a2 in A (→FC,FE), EE & GE2 (→GE3)

c2-a2 in GE1

..

The chord with the span of tenth on the 4th quaver is certainly a mistake of the engraver of GE1, corrected in later GE.

category imprint: Differences between sources

issues: Errors in GE , Terzverschreibung error , GE revisions