



Pitch
b. 26
|
composition: Op. 25 No 4, Etude in A minor
..
The cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
|||
b. 27
|
composition: Op. 25 No 4, Etude in A minor
..
Both source versions of the last quaver in the L.H. are a result of corrections, certainly (A) or most probably (FC) authentic. Out of these two practically equal versions, to the main text we choose the a category imprint: Differences between sources; Corrections & alterations issues: Deletions in A , Accompaniment changes |
|||
b. 27
|
composition: Op. 25 No 4, Etude in A minor category imprint: Differences between sources issues: GE revisions |
|||
b. 31
|
composition: Op. 25 No 4, Etude in A minor
..
The last dyad in the bottom voice seems to be a third in A, as the bottom note is written slightly too low. The visible in FE traces of correction prove that it actually misled the engraver and it must have been corrected in print. category imprint: Source & stylistic information issues: Inaccurate note pitch in A , Authentic corrections of FE |
|||
b. 31
|
composition: Op. 25 No 4, Etude in A minor
..
In A (→FE) there are no flats before the bottom note of the 2nd quaver in the L.H. and top note of the 3rd chord in the R.H. The sign in the R.H. was added in FC (by the copyist or Chopin). GE and EE include the correct notation. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |