Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 2, Etude in F minor
The slurs in the L.H. appeared in the notation of the Etude together with the transition to two times bigger rhythmic values – in AT, where the part of the L.H. is written with quaver triplets, there are no slurs. However, the consistency with which Chopin wrote them throughout the entire piece may mean that their function probably exceeds the indication of a rhythmic grouping, suggesting also the legato articulation.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
notation: Slurs