Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 2, Etude in F minor
In AT the Etude is written in 2/4 time signature, in two times smaller values – semiquaver triplets in the R.H. and quaver triplets in the L.H. It is the original concept, abandoned by Chopin not later than at the time of writing AW. The triplets of the L.H. do not have slurs in AT, which was probably related to the fact that the triplet grouping of the quavers unambiguously results from their beams.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Changes of metre
notation: Rhythm
