



b. 36-38
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composition: Op. 25 No 1, Etude in A♭ major
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Chopin added the dynamic hairpins in bars 36 and 38 (and also in bar 37) probably in the last phase of preparing the Etude for print, which is indicated by their absence both in AI and CDP. category imprint: Differences between sources; Corrections & alterations |
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b. 36
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composition: Op. 25 No 1, Etude in A♭ major
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The change of register of the bass note is one of a few introduced in this part of Etude by Chopin – cf. bars 35, 38 and 40. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 37
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composition: Op. 25 No 1, Etude in A♭ major
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In this and adjacent bars, AI presents a different pedalling concept. Subtle changes, introduced by Chopin in the version intended for publication, do not change the harmonic frame, yet they suggest a differently detailed phrasing of the melodic line. Similarly in bar 39. category imprint: Differences between sources; Corrections & alterations |
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b. 37
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composition: Op. 25 No 1, Etude in A♭ major
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The too early placed category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 37
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composition: Op. 25 No 1, Etude in A♭ major
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The version of A and of the later sources may raise stylistic doubts due to the parallel shift of the A category imprint: Differences between sources; Corrections & alterations issues: Errors of A |