Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 25 No 1, Etude in A♭ major
Both versions are certainly authentic, yet their chronology raises some doubts. The version with e
3 was probably created earlier, as in AI it is already written with ink. Therefore, the octave in A is to be considered as one of these Chopin improvements that appeared in A with no traces of changing the version of AI (cf., e.g., bars 1, 7, 8). However, if – which seems to be likely – the base texts for FE and EE were copies of A, one should assume that Chopin added an e3 in them, thus returning to the original concept. However, not being entirely certain in this respect, in the main text we preserve the lighter version of A (→GE).
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Chopin's hesitations
notation: Pitch
