A
Main text
AI - Earlier autograph
A - Autograph
CDP - Copy for Delfina Potocka
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
compare
  b. 43-46

Three slurs in AI (literal reading in bars 44-46)

Two slurs in AI (contextual interpretation), A (→GE) & EE

One slur in FE

In bar 43 the slurs of AI and A are certainly inaccurate – the shortening is related to the use of •/• signs in AI and the correction-deletion in A.

The slurs over the passages in bars 44-47 appear in AI only at the beginning and end of this section. Both slurs appear to be fragmentary, so it seems that Chopin marked the beginning and the end of one slur in such a way. The reason for this incomplete notation could have been the octave sign, impeding a clear introduction of the middle part of the slur (a similar situation is to be found in the Etude in E major, Op. 10 No. 11, bars 40-42). The issue of the slur's ending in bar 47 is discussed separately.

The authenticity of the unbroken slur of FE seems to be highly unlikely. Lack of division is probably a result of misunderstanding at the time of reading the slurs of the handwritten base text.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations

issues: Inaccurate slurs in A, Errors resulting from corrections

notation: Slurs

Go to the music

Original in: Biblioteka Narodowa, Warszawa