Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 1, Etude in A♭ major
The two visible in CDP slurs in the L.H., each embracing 6 notes, are almost certainly an addition of the copyist, who marked the original grouping of semiquavers in this way. It was necessary, as the two authentic ties, indicating the correct grouping, were replaced in CDP with one, which enabled writing the 2nd half of the bar as repetition of the first. Therefore, we consider these slurs as a part of an abbreviated notation in this bar. The copyist used a similar measure in bars 42-43.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
notation: Slurs
