Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 1, Etude in A♭ major
In the preserved photography of AI, it is hard to state whether Chopin, while correcting the 16th note in the R.H., changed e
1 to f1 or the other way round. According to us, it is the second possibility that is more plausible, as the other changes visible in AI generally strive towards the versions written later in A. However, as the version with e1 is represented by the remaining sources, for AI we adopt f1, which at a certain stage of composing the Etude was certainly considered by Chopin.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations
notation: Pitch
