Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 25 No 1, Etude in A♭ major
EE1
compare
Main text
AI
- Earlier autograph
A
- Autograph
CDP
- Copy for Delfina Potocka
FE
- French edition
FE1
- First French edition
FE2
- Corrected reprint of FE1
FED
- Dubois copy
FEJ
- Jędrzejewicz copy
FES
- Stirling copy
GE
- German edition
GE1
- First German edition
GE1a
- Corrected reprint of GE1
GE1b
- Flawed impression of GE1
GE2
- Second German edition
GE3
- Revised impression of GE2
EE
- English edition
EE1
- First English edition
EE2
- Corrected reprint of EE1
EE3
- Revised impression of EE2
The different version of AI is certainly earlier. Chopin rejected it in order to – presumably – not to reveal the further direction of the modulation too early.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
notation: Pitch
