Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 1, Etude in A♭ major
The version with the five-note group was created as a result of Chopin correction in A – the composer deleted the last G semiquaver there. We consider this change to be final due to its undeniable advantages – the transition to the next bar is significantly smoother, as far as the harmony (preparing a new chord position), rhythm (transition to a new rhythmic formula), and piano technique (facilitating the change of the hand's position) are concerned. A similar change was introduced – probably at Chopin's request – in bar 34.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
notation: Rhythm
