Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 1, Etude in A♭ major
In these bars, the abbreviated notation of the repeating figures (see bars 1-8) appears in all three manuscripts: AI, A, and CDP. In the copy, starting from the end of bar 12, it is the use of up to four variants of the repetition sign that draws attention. According to us, the reason could have been the appearance of such signs, different than the ones used by the copyist, in the copied autograph – the first of atypical for CDP signs appears in the same bar in which a similar sign (with two bars) is written in A.
We consider the notation of A in bar 17 to be inaccurate – see the note to this bar.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Abbreviated notation of A
notation: Shorthand & other
