Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 1, Etude in A♭ major
In the entire Etude, in all manuscripts some of the repeating figures were written in an abbreviated manner using the // or •/• signs. CDP includes the highest number of such abbreviations, while A – the lowest (they appear only in bar 12, they are absent in bars 1-8). In CDP the abbreviated notation of the part of the L.H. in bars 1-2 is not clear – already the second figure in bar 1 is written as repetition of the first. If interpreted literally, it would mean that the bass note in these bars is eight times A
1, which, from the piano interpretation point of view, is inacceptable.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Shorthand & other
