Page: 
Source: 
p. 5, b. 69-88
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-52
p. 4, b. 53-68
p. 5, b. 69-88
p. 6, b. 89-108
p. 7, b. 109-124
p. 8, b. 125-139
p. 9, b. 140-159
p. 10, b. 160-175
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 72-88

No markings in A

Pedalling in FE (literal reading→GE1GE2)

Pedalling in FE (interpretation→EE)

Pedalling in GE3 (→GE4)

Chopin added the pedalling indication on the last beat of bars 72, 80 and 88 in the proofreading of FE. The  sign in bar 72 was placed before the F-f octave, which confused the engraver of GE1 (→GE2). Interestingly enough, the reviser of GE3 (→GE4) corrected this mistake, however, he did not follow the analogy with similar bars, yet he moved  under the last crotchet.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Inaccuracies in FE, GE revisions, Authentic corrections of FE

notation: Pedalling

Missing markers on sources: EE1, EE2