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Issues : GE revisions
b. 3-4
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The absence of pedalling marks in FE (→EE,GE1) is most probably an oversight of the engraver. The signs were added in GE2 (→GE3→GE4), probably on the basis of comparison with analogous places. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 7-8
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In GE1, probably as a result of an error, the 2nd beat of bar 7 and the entire bar 8 are written without staccato dots. In the subsequent GE, most likely in order to unify all occurrences of this fragment, the dots on the 3rd beat of bar 7 were also removed. Cf. bars 111-112. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 10
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Before the 8th note of the passage A (→FE→EE) includes a category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Annotations in teaching copies , GE revisions , Cautionary accidentals |
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b. 10
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In FE (→EE,GE1) the slur embraces the entire R.H. part in this bar. In the editors' opinion a misunderstanding of A is more probable than a correction. Therefore, in the main text we adopt the A version with a slur embracing only the run (in all analogous bars – 58, 114 and 162 – the slur was rendered this way in all editions). The slur in the subsequent GE,s was assimilated to its remaining occurences. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |
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b. 11
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE4 added a cautionary category imprint: Editorial revisions issues: GE revisions |