Issues : Annotations in FES
b. 28
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
A (→FE→EE1) lacks rising c1 to c1. The obvious Chopin's imprecision was corrected in GE and EE2, as well as in FES which displays written in probably by Chopin himself. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES , Last key signature sign |
||||||||
b. 33
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
In the ninth chord in the L.H. at the beginning of the bar, Chopin deleted F in the pupil's copy FES. The simplification can be considered a variant for a small hand. GE2 (→GE3→GE4) arbitrarily assigned a staccato dot to this note. category imprint: Differences between sources; Corrections & alterations |
||||||||
b. 43
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
 
category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Cautionary accidentals , Annotations in FES |
||||||||
b. 137
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
As in bar 33, in the ninth chord in the L.H. at the beginning of the bar Chopin deleted F in the FES pupil's copy. The facilitation can be considered to be a variant for a small hand. category imprint: Source & stylistic information |
||||||||
b. 171
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
FES includes a cautionary next to c2 in the L.H. – most probably written with Chopin's hand. category imprint: Differences between sources issues: Annotations in teaching copies , Cautionary accidentals , Annotations in FES , Last key signature sign |