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Op. 26 No 2, Polonaise in E♭ minor

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Articulation, Accents, Hairpins

b. 7-8

composition: Op. 26 No 2, Polonaise in E♭ minor

..

In GE1, probably as a result of an error, the 2nd beat of bar 7 and the entire bar 8 are written without staccato dots. In the subsequent GE, most likely in order to unify all occurrences of this fragment, the dots on the 3rd beat of bar 7 were also removed. Cf. bars 111-112.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 9

composition: Op. 26 No 2, Polonaise in E♭ minor

Staccato dot in A (→FE)

No mark in GE & EE
..

EE and GE overlooked a staccato dot over the first quaver in the L.H.

category imprint: Differences between sources

issues: Inaccuracies in GE , EE inaccuracies

b. 10

composition: Op. 26 No 2, Polonaise in E♭ minor

..

GE1 and GE3 (→GE4) overlooked  in bar 10.

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in GE

b. 11

composition: Op. 26 No 2, Polonaise in E♭ minor

Staccato dot in A

No mark in FE (→GE,EE)
..

On the basis of A, we give staccato dot on the first chord in the L.H. The mark over the chord was overlooked in all editions, most probably owing to the proximity of .

category imprint: Differences between sources

issues: Inaccuracies in FE

b. 17

composition: Op. 26 No 2, Polonaise in E♭ minor

No mark in A

Accent in FE (→GE,EE)
..

The accents in the L.H. in bars 17 and 18 were added by Chopin in the proofreading of FE1.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE