Rhythm
b. 12
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Chopin added the staccato dot over e and stems extending the sound of g1 on the 2nd and 4th quavers in the L.H. in the proofreading of FE1 (→FE2). We consider this correction, repeated in bar 60, to be intentionally referring to the return of the main section of the Polonaise too (bars 116 and 164), as in A it was only signalised as repetition of the first section. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 17
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composition: Op. 26 No 2, Polonaise in E♭ minor
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We give the stems extending the sound of the 2nd and 4th quavers in the L.H. after A. All editions omitted them here, in bar 18 and in all their subsequent repetitions, probably due to the engraver's misunderstandig Chopin's notation. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 18
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composition: Op. 26 No 2, Polonaise in E♭ minor
category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 41-43
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE1 overlooked the ties between bars 41-42 and 42-43. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 43-44
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Chopin added the tie combining the e1 sounds in the R.H. between bars 43-44 in the proofreading of FE1. In the main text we apply this correction also in bars 147-148. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |