Issues : GE revisions
b. 31
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composition: Op. 26 No 2, Polonaise in E♭ minor
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A (→FE→GE1) has no rising c1 to c1. The obvious inaccuracy of Chopin's notation was corrected in EE and GE2 (→GE3→GE4). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Inaccuracies in A |
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b. 31
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE (→GE1,EE) overlooked the accent on the triplet in the R.H. It was added in the subsequent GE, presumably after the corresponding bar of the reprise (bar 135). A has a short accent, which is probably an inaccurate notation given the context and a distinct long accent in bar 29. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 32
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Accidentals in A are to be found only before the first chord and a2-a3 on 5th quaver in R.H. All the necessary signs were added already in FE1, and repeated in the remaining editions (except for GE1 which overlooked next to a3). category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Omission of current key accidentals , Errors of A , FE revisions |
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b. 32
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE (→GE1) erroneously inserted a redundant mark at the beginning of the bar. The mistake was corrected in the subsequent impressions of GE and EE. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE overlooked the pedal release, what GE1 supplemented routinely on the last quaver in the bar. Later GE moved under the 5th quaver, in accordance with A. The supplement introduced in EE is also basically converging with A. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |