Articulation, Accents, Hairpins
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b. 31
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE (→GE1,EE) overlooked the accent on the triplet in the R.H. It was added in the subsequent GE, presumably after the corresponding bar of the reprise (bar 135). A has a short accent, which is probably an inaccurate notation given the context and a distinct long accent in bar 29. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE (→EE,GE1) overlooked the staccato dots over two quavers on the 2nd beat in the L.H. In the later GE, the dots were arbitrarily assigned to all F notes in this bar (cf. previous annotation). category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |
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b. 34
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE1 overlooked the staccato dots over the last beat of the R.H. The subsequent GE corrected this mistake. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 34
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE includes a staccato dot also under the 1st quaver of the L.H. It is most probably a mistake. category imprint: Differences between sources issues: Errors in GE |
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b. 35
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composition: Op. 26 No 2, Polonaise in E♭ minor
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We add the staccato dot in the L.H. under the first note after analogy to the staccato in the R.H. A similar addition was performed in GE2 (→GE3→GE4). EE also did not include the dot in the R.H. category imprint: Differences between sources; Editorial revisions issues: GE revisions , EE inaccuracies |
