Issues : Last key signature sign
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b. 76
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composition: Op. 26 No 2, Polonaise in E♭ minor
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We removed superfluous sharps (cautionary?) placed in A next to a in bar 76 and a1 in bar 86. All editions had a similar approach. The deletions visible in A show that this kind of superfluous sharps were initially written in A still in bars 72, 79-80 and 84. See also bars 99-100. category imprint: Differences between sources issues: Authentic corrections of FE , Last key signature sign |
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b. 99-100
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the sources there are unnecessary (cautionary?) sharps before A at the beginning of bar 99 and a in bar 100. In A one can see that Chopin initially wrote a few other sharps of this type (in bars 92 and 101-102), which he then deleted. In the main text we do not give these signs. category imprint: Editorial revisions |
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b. 144
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composition: Op. 26 No 2, Polonaise in E♭ minor
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At the beginning of the bar in A (→FE→GE1,EE1) there is no raising c to c. The mistake was corrected in GE2 (→GE3→GE4) and EE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , GE revisions , Omission of current key accidentals , Errors of A , Last key signature sign |
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b. 171
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FES includes a cautionary next to c2 in the L.H. – most probably written with Chopin's hand. category imprint: Differences between sources issues: Annotations in teaching copies , Cautionary accidentals , Annotations in FES , Last key signature sign |
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