Issues : GE revisions
b. 155
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The omission of the indication at the beginning of the bar in FE (→GE1,EE1) can be intentional, hence we do not include it in the main text. In GE2 (→GE3→GE4) and EE2 the indication was added, most probably on the basis of comparison with analogous bar 51. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Authentic corrections of FE |
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b. 159
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE2 (→GE3→GE4) arbitrarily removed staccato dots in the 2nd half of the bar (as well as in bar 160). category imprint: Differences between sources issues: GE revisions |
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b. 160
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE1 overlooked the staccato dot over the 1st chord. GE2 (→GE3→GE4) arbitrarily removed all dots in this bar. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 160
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE (→EE,GE1) overlooked the hairpins. The defect was completed in GE2 (→GE3→GE4) most probably on the basis of comparison with analogous bars 8, 56 and 112. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 162
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Both versions are authentic – see bar 10. category imprint: Differences between sources issues: GE revisions |