Issues : GE revisions
b. 137
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The absence of the tie of g is almost certainly an oversight of the engraver of FE. The tie was added in later GE and EE certainly on the basis of comparison with analogous bar 33. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 137-139
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In bars 137 and 139 GE2 (→GE3→GE4) changed the indications to . See the characteristics of GE2. category imprint: Differences between sources issues: GE revisions |
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b. 138
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 34, GE2 (→GE3→GE4) and EE2 added cautionary flats next to g in the L.H. and g1-g2 in the R.H. category imprint: Differences between sources issues: GE revisions |
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b. 139
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bars 35-36, the tie sustaining F is most probably an erroneous interpretation of the motivic slur of e-f added by Chopin in the proofreading of FE1. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Placement of markings , GE revisions , Authentic corrections of FE , FE revisions |
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b. 140
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composition: Op. 26 No 2, Polonaise in E♭ minor
category imprint: Interpretations within context; Differences between sources issues: EE revisions , Placement of markings , GE revisions , Authentic corrections of FE , FE revisions |