Issues : GE revisions
b. 111-112
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE1 overlooked the staccato dot over the 1st chord in bar 112, whereas GE2 (→GE3→GE4) overlooked the staccato indications in the entire progression of chords. A possible aim of the revision was to homogenise all appearances of this bar, however, it is difficult to state why it was bars 55-56 that were chosen as the model. Cf. bars 7-8, as well as 159-160. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 114
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 10, both versions are authentic. category imprint: Differences between sources issues: GE revisions |
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b. 115
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE4 added a cautionary next to a1 in the L.H. category imprint: Differences between sources issues: GE revisions |
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b. 115-116
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composition: Op. 26 No 2, Polonaise in E♭ minor
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EE overlooked the sign in bar 115. In GE2 (→GE3→GE4) both were arbitrarily changed to – see the characteristics of GE2. category imprint: Differences between sources issues: Errors in EE , GE revisions |
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b. 116
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the main text we give the part of the L.H. on the basis of Chopin proofreading in bar 12 and 60. The version of GE is almost certainly a revision, unifying this and analogous bars after bar 164. It was repeated in EE2, despite the fact that in this edition it did not lead to such a unification. category imprint: Differences between sources; Editorial revisions issues: GE revisions |