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b. 73
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE4 added cautionary category imprint: Differences between sources issues: GE revisions |
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b. 74-78
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE2 (→GE3→GE4) and EE2 added a cautionary category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 74-75
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the 1st half of bar 75 Chopin probably considered staccato dots written under the part of the R.H. to be valid also in the left. In the 2nd half of bar 74, omission of the majority of dots in the L.H. in FE is almost certainly a mistake; the only printed dot (over c category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 75-76
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The second half of bar 75 and the 1st quaver in bar 76 are provided with staccato dots in the part of the R.H. in A. Chopin removed them in the proofreading of FE1 – see the next note. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 75-76
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the main text we give the longer slur, with which Chopin replaced staccato dots and the shorter slur of A in the proofreading of FE1. He introduced similar changes in almost all analogous places. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
next to e1 and e on the 3rd beat of the bar.
next to d
1 in the chord at the beginning of bars 74 and 78. The addition is justified only when preserving the original orthography of the last chord in bars 
