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b. 31
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE (→GE1,EE) overlooked the accent on the triplet in the R.H. It was added in the subsequent GE, presumably after the corresponding bar of the reprise (bar 135). A has a short accent, which is probably an inaccurate notation given the context and a distinct long accent in bar 29. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 32
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Accidentals in A are to be found only before the first chord and a2-a3 on 5th quaver in R.H. All the necessary signs were added already in FE1, and repeated in the remaining editions (except for GE1 which overlooked category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Omission of current key accidentals , Errors of A , FE revisions |
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b. 32
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE (→GE1) erroneously inserted a redundant category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE overlooked the category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FE (→EE,GE1) overlooked the staccato dots over two quavers on the 2nd beat in the L.H. In the later GE, the dots were arbitrarily assigned to all F notes in this bar (cf. previous annotation). category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |