Issues : Errors in FE
b. 7
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composition: Op. 26 No 1, Polonaise in C♯ minor
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Chopin added a crotchet stem in the L.H. to the g quaver in the proofreading of FE1. The absence of this correction in the analogous bar in the written repetition in the editions most probably results from Chopin's oversight. We directly include this minor improvement in the main text, which corresponds to both analogous bars in the first editions. An addition was respectively performed in the bar being a repetition of bar 7 also in GE2 (→GE3→GE4→GE5). category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Errors in EE , Errors in GE , GE revisions , Accompaniment changes , Authentic corrections of FE , Omitted correction of an analogous place |
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b. 9
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The indication, appearing in the repetition of bar 9 next to the G1-G octave in the L.H., in all editions, undoubtedly results from a misinterpreted correction of Chopin in A. While correcting the erroneous indication, the composer overwrote a pedal's release sign on it (after all, too late). In GE2 (→GE3→GE4→GE5) was additionally arbitrarily changed to . The first indication could have been removed by Chopin in the proofreading of FE1. The absence of a respective correction in the analogous bar in the repetition is undoubtedly an oversight of Chopin or of the engravers. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Errors in EE , Errors resulting from corrections , Errors in GE |
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b. 12
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The repetition of bars 1-12 is marked in A with a conventional repetition sign. In turn, in FE (→GE,EE), due to purely editorial reasons (division into pages), the bars are written a second time, which erroneously indicates to perform them twice also at the time of repeating this section da Capo. category imprint: Differences between sources; Source & stylistic information issues: Errors in FE , Errors in EE , Errors in GE |
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b. 12
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The c1-e1 third in the L.H. in FE (→GE1,EE1) is written monophonically the first time. The mistake was corrected in GE2 (→GE3→GE4→GE5) & EE2 by adding a quaver stem to the top note; at the same time, a small unnecessary fragment of the stem was not removed, combining two note heads on their left side. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , Errors in EE , Errors in GE |
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b. 16-19
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The absence of the staccato dot in A for G1 in the L.H. in bar 16 is to be considered to be Chopin's oversight - the dots are present in similar bars 14 and 18. Chopin did not correct the mistake in the proofreading of FE, moreover, in FE (→EE) the engravers overlooked also a dot in bar 19, which in A is written in an abbreviated manner, with a repetition sign of the previous bar. In GE1 the sign was placed only in bar 14. A revision was performed respectively in GE2 (→GE3), validly adding dots in all analogous places. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , Errors of A |