Issues : GE revisions
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b. 37
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composition: Op. 26 No 1, Polonaise in C♯ minor
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GE3 (→GE4→GE5) overlooked the additional stem and dot, extending the b category imprint: Differences between sources issues: GE revisions |
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b. 38
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The absence of the last staccato dot for the bottom voice of the R.H. is undoubtedly a result of an inaccuracy of the engraver of GE1. In turn, the oversight of all dots in GE2 (→GE3→GE4→GE5) is probably a revision. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 38
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composition: Op. 26 No 1, Polonaise in C♯ minor
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It is hard to state why the category imprint: Differences between sources issues: GE revisions |
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b. 39
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In A Chopin undoubtedly overlooked the category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Errors in EE , Errors in GE , GE revisions , Errors of A , Last key signature sign |
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b. 40
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The slur of A, although poorly written, is most probably supposed to begin in the middle of the bar, together with the continuation of the melody of the top voice. However, in FE (→GE1,EE) the slur started erroneously already from the 1st note in bar 40. In GE2 (→GE3→GE4→GE5) an accurate revision was performed, by writing the slur from the beginning of the triplet. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , GE revisions |
1 in 
in 
raising g
1 to g1 in the written grupetto. He did not correct the mistake in the proofreadings of 
