Issues : GE revisions
b. 18-19
|
composition: Op. 26 No 1, Polonaise in C♯ minor
..
GE2 (→GE3→GE4→GE5) arbitrarily changed Chopin to . Moreover, in bar 19 – probably due to an indistinctly imprinted 's' letter in GE2 – GE3 and subsequent include only an erroneous . category imprint: Differences between sources issues: Errors in GE , GE revisions |
|||
b. 19
|
composition: Op. 26 No 1, Polonaise in C♯ minor
..
In GE2 the engraver overlooked the stem for e in the L.H. - only the note head was printed. In turn, in GE3 the reviser erroneously added this note to the a crotchet. The defect was corrected only in GE4 (→GE5). category imprint: Differences between sources issues: Errors in GE , GE revisions |
|||
b. 21
|
composition: Op. 26 No 1, Polonaise in C♯ minor
..
In GE2 in bar 21 the indication was arbitrarily changed to , whereas in GE3 (→GE4→GE5) erroneously to (similarly as in bar 19). category imprint: Differences between sources issues: Errors in GE , GE revisions |
|||
b. 23-27
|
composition: Op. 26 No 1, Polonaise in C♯ minor
..
In GE2 (→GE3→GE4→GE5) the engraver arbitrarily combined the d1-a1 minims with an additional stem in bars 24 and 26. In GE3 (→GE4→GE5) the f1-a1 minims in the L.H. in bars 23, 25 and 27 were also combined. Cf. the adjacent note. category imprint: Differences between sources issues: GE revisions |
|||
b. 23-27
|
composition: Op. 26 No 1, Polonaise in C♯ minor
..
In GE2 (→GE3→GE4→GE5) the notes of the e1-a1 fourth in bars 23-27 are combined with a joint crotchet stem. The revision, despite its arbitrary character, undoubtedly corresponds to Chopin's intention concerning the "harmonic legato" – sustaining the harmonic sounds with fingers – which was written in a simplified manner in A. category imprint: Differences between sources; Source & stylistic information issues: GE revisions |