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Issues : Errors of A
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b. 34
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composition: Op. 26 No 1, Polonaise in C♯ minor
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category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |
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b. 36-37
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In bar 36 in A there are no accidentals, which is certainly Chopin's mistake – cf. analogous bar 11. The necessary accidentals were added in the proofreading of FE (→GE,EE), together with the cautionary sharps in bar 37. category imprint: Interpretations within context; Differences between sources issues: Cautionary accidentals , Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 39
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In A Chopin undoubtedly overlooked the category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Errors in EE , Errors in GE , GE revisions , Errors of A , Last key signature sign |
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b. 44
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The version of A (→FE1) – with g category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Errors of A , Authentic corrections of FE |
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b. 85
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The visible in A repetition sign probably means that while writing the Polonaise, Chopin assumed repeating bars 54-85 (the doubt arises, i.a., due to the absence of a respective sign in bar 54). The absence of this sign in FE (→GE,EE), which is probably a result of Chopin's proofreading, indicates a change of decision and this is the version we give in the main text. However, an erroneous introduction of a repetition sign due to the lack of note text in the previous bars, favouring confusion and related to the abbreviated notation of bars 71-85, also cannot be excluded. category imprint: Differences between sources; Source & stylistic information issues: Errors of A , Authentic corrections of FE , Differences in form |
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