Page: 
Source: 
p. 4, b. 54-69
p. 1, b. 1-19
p. 2, b. 20-37
p. 3, b. 38-53
p. 4, b. 54-69
p. 5, b. 70-85
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 54-85

Repetition in A, contextual interpretation

No repetition in A (literal reading→FEGE,EE)

Our variant suggestion

The sources do not include the sign opening the repetition in this place, yet A does include its ending in bar 85. Chopin either wanted to repeat bars 54-85, yet he forgot to mark it in bar 54, or just the opposite – the sign in bar 85 was erroneously placed and the discussed fragment is not to be repeated. FE (→GE,EE) do not include any repetition signs in these bars, which, can, yet does not have to, indicate Chopin's proofreading. We give the version of the base source, i.e. FE2, as the main text, with a note indicating a possibility of repetition.

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category imprint: Interpretations within context; Differences between sources

issues: Differences in form, Inaccuracies in A

notation: Shorthand & other

Missing markers on sources: FED, FEJ, FES