FEJ
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
compare
  b. 69

No teaching fingering

Possible interpretation of annotation in FEJ

Another interpretation of annotation in FEJ

Two slashed dashes written – probably by Chopin – in FEJ pose difficulties at the time of interpretation. The most possible one is the deletion of the bottom notes of the chords on the 4th and 6th quavers. We include this possibility – due to the relation of the included signs to the doubts concerning the pitch of the bottom note of the last chord – in the note concerning this sound. Another possibility – less likely due to a significant angle of inclination of these dashes – is the interpretation of one or both dashes as fingering numerals. The ones would probably mean a simultaneous stroke of the e1-gthird with the 1st finger. This kind of grip of two black keys was used by Chopin and marked a few times, e.g., in the Concerto in E minor, Op. 11, 2nd mov., bar 57 and the Prelude in A major, Op. 28 No. 7, bar 12. A possible choice of one of these possibilities is left at the discretion of the performer.

Compare the passage in the sources »

See b. 69

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources

issues: Annotations in teaching copies, Annotations in FEJ

notation: Fingering

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Original in: Muzeum Fryderyka Chopina, Warszawa