



b. 51
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In the proofreading of FE1 Chopin changed the 4th quaver in the L.H. – the a category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 51
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In the proofreading of FE1 Chopin shortened the 1st note in the top voice to a quaver. A respective correction is also included in analogous bar 83. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 52
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composition: Op. 26 No 1, Polonaise in C♯ minor
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A does not include a tie combining both a category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omitted correction of an analogous place |
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b. 52-53
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In A the first quaver in bar 52 is an A category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 52-53
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The engraver of FE inserted only one slur for bars 52-53. It could have been caused by the fact that in A Chopin deleted the previously written R.H. in bar 53, at the same time leaving the original slurring. The slurs could have been misinterpreted as one long slur, as the ending of the first and a bold beginning of the second one are interconnected. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE |