Fingering
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b. 1
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composition: Op. 10 No 4, Etude in C♯ minor
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In the version prepared for print, the first fingering numerals appear not until bar 12. However, during the lessons with Chopin, the indications concerning the fingering proved to be necessary already earlier. In the main text we consider the fingering written by Chopin in FES. In EE Fontana also offered his suggestion for bar 1, yet this fingering, avoiding the use of the 1st finger on black keys, diverts from the one by Chopin. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES |
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b. 2
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composition: Op. 10 No 4, Etude in C♯ minor
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In the main text we give here the fingering written by Chopin in FED in analogous bar 60 (cf. General Editorial Principles, p. 17). Some of these numerals are also written in bar 2 (FES) and bar 10 (FED and FES). category imprint: Differences between sources |
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b. 4
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composition: Op. 10 No 4, Etude in C♯ minor
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While adding the fingering in EE, Fontana indicated the fingering of the five-note chord at the end of the bar. It suggests that, according to him, striking simultaneously two black keys with the 1st finger was not a generally known grip. category imprint: Differences between sources issues: EE revisions |
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b. 4-6
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composition: Op. 10 No 4, Etude in C♯ minor
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The fingering in EE was Fontana's addition. The fingering in bar 6 is contrary to the indications written in FES, probably by Chopin, in a pianistically similar place, in bar 20. category imprint: Differences between sources issues: EE revisions |
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b. 8
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composition: Op. 10 No 4, Etude in C♯ minor
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The fingering of EE is an addition by Fontana. category imprint: Differences between sources issues: EE revisions |
