Fingering
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b. 33-37
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composition: Op. 10 No 4, Etude in C♯ minor
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Chopin's fingering given in bars 33 and 37 in the main text originates from FE (→EE,GE1→GE1a→GE2). In GE3 another two numerals were added in bar 33 and in GE4 (→GE5) the fingering of both bars was unified, by giving only the first five numerals in each of them. category imprint: Differences between sources issues: GE revisions |
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b. 35-37
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composition: Op. 10 No 4, Etude in C♯ minor
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In the main text we give the fingering originating from Chopin written in FES. The more detailed indications added by Fontana in EE point to a different fingering. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES |
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b. 39-40
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composition: Op. 10 No 4, Etude in C♯ minor
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The fingering added in EE comes from Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 41-42
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composition: Op. 10 No 4, Etude in C♯ minor
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The fingering added in EE comes from Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 43-44
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composition: Op. 10 No 4, Etude in C♯ minor
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The fingering given in the main text in bar 43 is present in FE (→GE1,EE). In EE Fontana completed it in this and the next bar. In GE2 the numeral '4' in the L.H. was overlooked; the mistake remained uncorrected also in subsequent GE,s. category imprint: Differences between sources |
