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Fingering

b. 20

composition: Op. 10 No 4, Etude in C♯ minor

Fingering written into FES

No fingering in FE (→GE)

Fingering numeral in EE

..

In the main text we give the fingering written in FES, probably coming from Chopin. The first of these numerals is to be found also in EE (cf. bars 19-20).

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FES

b. 21-22

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering numeral in FED

Fingering in EE

..

In the main text we consider the 1st finger written in FED. The fingering, added by Fontana in EE, starts with a different numeral. Fontana suggested variant solutions for six notes in bar 19. 

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED

b. 23-24

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE

..

The fingering added in EE comes from Fontana.

category imprint: Differences between sources

issues: EE revisions

b. 25-26

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI

Fingering in FE (→GE,EE)

Our suggestion

..

The fingering given in the main text comes from FE (→GE,EE). The last numeral was repeated in these sources also at the beginning of bar 26, perhaps due to the fact that it is on a new line. We do not give it in the main text.

category imprint: Differences between sources; Editorial revisions

b. 26

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE

..

In EE Fontana added a fingering modelled on the previous bar.

category imprint: Differences between sources

issues: EE revisions